Haiti is one of the poorest and most severely hunger-stricken countries in the world (GHI 2013). Its contradictions are jarring: although Haiti has the largest relative agrarian population in the Western Hemisphere and relatively less land inequality than the rest of the region (Smucker et al. 2000; Wiens and Sobrado 1998), it is extremely food insecure.
This study will investigate the performance motivations of three Haitian musicians based in South Florida who use their artistic platforms to offer a version of their country omitted from dominant media projections of the country. This study focuses on narrative as a device that allows these musicians to offer counterstories against dominantly negative media projections that have real effects on Haitians.
The study of settlement geography, demography and social behavior in the prehistoric Carib and Ta√≠no societies of the Caribbean has recently become a prominent domain of interest to archaeologists working in these islands. Archaeological floor plans for prehistoric houses within the islands of St. Eustatius, Barbados, St. Thomas, Cuba and Puerto Rico demonstrate the cultural continuity of house shape, settlement organization and social organization from the early Saladoid to the contact period.