This paper presents an anthropological examination of touristic representations of Haiti throughout the 20th century. I dentify three main themes – Racism and “The Negro Question,” Haitian Revolutionary Intrigue, and Voodoo Mystique – that illustrate a dominant discourse, but later transform these touristic sights into bona fide tourist sites. Despite its emphasis on voodoo and possession, the touristic discourse effectively dis-possesses Haiti, whitewashing its people and culture, and subsequently re-possesses it with Western values in a way that commoditizes not only what it means to experience Haiti, but what it means to be Haitian as well. Today, an interplay between the “development” and touristic discourses brings the discussion full-circle: from primitive people to primitive culture to primitive conditions. These representations have a certain mobility all their own and over time move farther from Haiti itself. Examining these sources does more than chart the rise and fall of the country’s tourist industry. Anthropologically speaking, the touristic genre offers an important resource in understanding the construction of Haiti’s place in the world.
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EKO HAITI Research Hub is a research and knowledge mobilization platform focused on creative, collaborative and interdisciplinary research and associated research-based learning. We aim to become the intellectual “home” for research about Haiti by creating and providing open access to the largest crowdsourced research archive dedicated to Haiti, by fostering cross-disciplinary research and innovation, and by providing support for progressive research in the form of contextual expertise and training.
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Jacques Alexis, Les Arbres Musiciens (Paris, 1957)
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" Bwa pi wo di li wè lwen, men grenn pwomennen di li wè pi lwen pase l "
The tallest tree says that it sees far, but the seed that travels says that it sees even further.
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