Open Source Archives

We strive to facilitate interdisciplinary collaboration and the implementation of progressive and  participatory research methods, with the goal of generating tangible, durable changes in the way research about Haiti is conceptualized, implemented and applied.


Research Hub & Open Source Archives

EKO HAITI Research Hub is a research and knowledge mobilization platform focused on creative, collaborative and interdisciplinary research and associated research-based learning. We aim to become the intellectual “home” for research about Haiti by creating and providing open access to the largest crowdsourced research archive dedicated to Haiti, by fostering cross-disciplinary research and innovation, and by providing support for progressive research in the form of contextual expertise and training.

“The trees fall from time to time, but the voice of the forest never loses its power. Life begins.”

Jacques Alexis, Les Arbres Musiciens (Paris, 1957)
Haiti is the birthplace of a rich literary heritage that deserves more attention. Haitian authors open a window into this Caribbean nation’s vibrant culture and tumultuous history.

EKO HAITI collections include all works, published and unpublished by Anthropologists Gerald Murray, Glenn Smucker and Timothy Schwartz
Dedicated to the late great, Kreyolicious (Katheline St. Fort), our photographs archives holds a large collection of images dating back to the late 1800's .
40 years of development reports, evaluations and survey databases many of which are not publicly available, are buried in drawers, closets, private libraries of NGOs and government donors.


Oral histories are a powerful tool in developing historical understanding

Oral history offers an alternative to conventional history, filling gaps in traditional research with personal accounts of historically significant events or simply life in a specific place and time. Oral histories do more than provide charming details to dry historical accounts. In fact, oral histories help others recapture lived experiences that are not written down in traditional sources.

> Transcripts archive

" Bwa pi wo di li wè lwen, men grenn pwomennen di li wè pi lwen pase l "

The tallest tree says that it sees far, but the seed that travels says that it sees even further.



As an independent institute, we rely on crowdsourcing and donations to continue expanding the depth and scope of our archives.  Your contribution enable us to provide open access to a vast collection of ethnographic and research material which in turn aims at fostering further research and contribute to a better understanding of the country.

A Tragedy of Success!” is a close engagement with the ongoing artistic turn to Haiti and its revolution within the Caribbean literary imaginary. It argues that twentieth and twenty-first writers of the region are drawn to the nation and its Upheaval precisely because the striking incongruity of Haiti’s revolutionary past and postcolonial present vividly discloses how the modern Caribbean experience is profoundly shaped by the ceaseless play of radical change (conquest, colonialism and anti-colonial revolution) and debilitating communal crisis. This project joins the rich conversation on Haiti, modernity and the Revolution begun by C.LR. James, and continued by Nick Nesbitt and Sibylle Fischer, to address this discussion’s slight attention to the abundant literary production inspired by the Revolution. This dissertation, therefore, focuses on the ideological work of the Revolution’s repeated narration in the Caribbean, specifically, the manner in which it arouses anti-colonial aspirations. It argues that the Caribbean experience of modernity has introduced a tragic mode into literary representations of the Upheaval, causing regional writers to depict the immediate as confounded by the past. Characterized by a subtle wavering between tragic pathos and comic elation, this mode is as much engagement with time and its affective oscillation as it is a politics of possibility. It speaks strongly to the writers’ longing for total decolonial liberation region-wide. This project participates in the rethinking of tragedy, as initiated by contemporary scholars like Rita Felski, Timothy Reiss and David Scott, in order to gauge how Caribbean writers use Haiti to negotiate the difficulties and successes of the region in their efforts to portray their desire for an improved Caribbean future.