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In 2013, the Dominican Republic’s highest court ruled to revoke birthright citizenship for over 200,000 Dominicans of Haitian descent. Ruling TC 168-13 prompted dialogue about race and racism in the country, breaking the racial silence that accompanies mestizaje (racial mixture). Scholars viewed this ruling through the lens of “Black denial” whereby Dominicans’ failure to adopt Black identities, despite being largely afrodescendant, fuels the racialization of Haitians as Black.

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This research-creation PhD thesis contributes to recent debates about what journalism could (or should) be in today's fast-changing media landscape by focusing on graphic reportage, a journalistic approach that relies on the drawn medium of comics. In order to assess how working in this drawn form might affect the practices that journalists use in their work, I reflect critically on my process of making Picturing Aid in Haiti, a work of graphic reportage about humanitarian interventions in Haiti after the 2010 earthquake.

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This dissertation analyzes the social and political history of Haitian peasants and the formation of the brutally repressive Duvalier dictatorship. It establishes that the rise of the dictatorship was the result of a political trajectory shaped by historical processes. In post- emancipated Haiti during the nineteenth century, thousands of peasants, who were formerly enslaved, joined the military and participated in insurrections to achieve high status and social mobility.

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This thesis explores how cultural knowledge, beliefs, and practices affected the humanitarian aid response to disasters in Haiti and Aceh Province, Indonesia. It examines the importance of local knowledge in post-disaster response situations and how aid workers’ “expertise” interplays with local knowledge, decision-making structures, and leadership.

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